dcarter wrote: Also were albums by The Autumn Defense, The Bottle Rockets and Gob Iron left off because they were deemed unworthy or because you didn't know that John Stirratt and Brian Henneman
How is the Autumn Defense stuff? Is it experimental like Loose Fur? more melodic?
Loose Fur experimental? Beggars belief. They are pretty much a classic rock band, albeit a little left of centre. Experimental? Never.
dcarter wrote: Also were albums by The Autumn Defense, The Bottle Rockets and Gob Iron left off because they were deemed unworthy or because you didn't know that John Stirratt and Brian Henneman
How is the Autumn Defense stuff? Is it experimental like Loose Fur? more melodic?
The only similarity with Loose Fur is that John and Pat write great songs. The delivery is very different. Gorgeous melodies and harmonies. Poppy in a good way. Beautiful. Check 'em out.
dcarter wrote: Also were albums by The Autumn Defense, The Bottle Rockets and Gob Iron left off because they were deemed unworthy or because you didn't know that John Stirratt and Brian Henneman
How is the Autumn Defense stuff? Is it experimental like Loose Fur? more melodic?
I added this to the 'comments': "It is a stretch to say that a Jay Bennett album resulted from the UT dissolution. The proposition that his albums resulted from the break up of Uncle Tupelo is tenuous at best. Also were albums by The Autumn Defense, The Bottle Rockets and Gob Iron left off because they were deemed unworthy or because you didn't know that John Stirratt and Brian Henneman - though Brian unofficially - were in UT and that Jay Farrar and Anders Parker recorded as Gob Iron a couple of years ago and are doing so again?
Otherwise a decent list."
Anyone else wonder where Gob Iron fits in to this?
The songs may not be Farrar originals, except for all the short instruementals, but I think it's brilliant. Listen to it all the time. Can't wait for next one, whenever it comes out.
Great idea for an article. Leaves lots to talk about.
Straightaways however should be up there. I know taste-is-taste-is-taste, but I always find it funny when people ignore this one; leaving it out feels to me like someone is just following the High Fidelity Standard instead of really getting into it. But then it's often the big UT fans who leave it off so maybe there's some kind of sound there that puts em off or just doesn't get their mojo working as much as the other two early SV albums.
Also Trace probably should be above Being There. Congrats on putting WST above Trace - that is definitely not standard.
I wonder too if Sebastopol doesn't deserve an honorable mention.